Tagged: creativity

20 Minutes of Creative Process

My friend Corey Maass aka Secret Agent Gel of the Noteworking meetup (formerly known as Netmix) just posted these 2 videos of my talk there last Tuesday.  I had fun giving the talk, kind of swerved around my subject a little bit and made a few weird analogies, but HEY it\’s all part of talking live without a script.  For those who\’ve read this blog you\’ll recognize a lot of the ideas but now you get to hear me say them instead of reading them.  I talked a bit about creative process in general, some of it directly related to music production and some stuff related to being an artist more generally.  Check them out and let me know what you think!

Part 1:

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Part 2:

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And also Ricardo Moncada of Halcyon gave a cool talk about web technology and social media for creative businesses, check it out over at the Noteworking site.

Fuck Approval: Artistic Freedom and Getting #Based

Lil B is the Andy Warhol of rap.

Creative freedom is regarded as something that all creators want and see as valuable. The question is freedom from what? Generally the forces that seek to control and limit our creativity are thought to be external. But what about ourselves? What role do we play in creating or accepting boxes, limitations, norms, rules, guidelines which fence in our creativity? I recently listened to an episode of the Accidental Creative podcast in which he talked about the concept of separating our personal feelings of self-worth from the way people react to our creations. The major theme of that lesson was that you are not your work and therefore shouldn’t behave that way emotionally. For me personally this was a powerful idea.

Lil B – I’m God YouTube Preview Image

So much of my feeling of self-worth is tied up in the things that I create. These could be pieces of music, ideas, companies, or groups of people. If I feel that I played a significant role in creating something then a great deal of my self-worth is tied up in the success of or the perception of that thing. As much as I try not to feel this way, if someone gives a negative review to a piece of my music for example, I feel personally attacked and it can have a real effect on my mood for the rest of the day or longer. This is not good both for the fact that you are exposing yourself to negative emotions from external forces that you can’t control but perhaps more importantly because the fear of being judged becomes internalized and you begin to set up internal boundaries for yourself. You try to begin to seek out ideas which are safer and more likely to earn more praise and less criticism. When we find ourselves backed into this corner, it’s a major loss for our potential as an artist. I feel that one of the strongest creative actions we can take is to dive fearlessly off a cliff into new territory without trying to fit into a box or seek an existing audience’s approval.

Lil B – Look Like Jesus YouTube Preview Image

Someone who I have a tremendous amount of respect for in this regard is Lil B the Berkley based rapper who’s also a member of The Pack. To the un-initiated one might listen to a song like ‘Look Like Jesus’ and hear Lil B rapping that ‘Hoes suck my dick because I dress like Jesus Christ’ and dismiss him as just another rapper. What makes him interesting is his willingness to go to ludicrous extremes, turn the hyper-masculine braggadocio of hip-hop on it’s head by rapping about how he ‘looks like a princess’ and he’s a ‘pretty bitch’ and fearlessly saying absolutely anything that pops into his stream of consciousness. Those who follow rap know that as in any art-form rappers are constantly dancing along a line of accepted rapper behavior and making short forays into as yet un-touched subject matter, attitudes and visual and musical styles. The history of stylistic change in hip-hop is incremental with few artists making bold leaps into new territory. What I see in Lil B is an artist relentlessly transgressing boundaries and pushing his art and persona as absolutely far as he can go.

With songs like “I’m God” and “I’m a Faggot” he seems to be constantly searching for ways to provoke his audience which is completely de-sensitized by tales of violence, sex, crime and drug-use in rap. What I respect about this is that here we have an artist in a genre of people proclaiming how fearless they are while relentlessly conforming. Lil B seems to truly not give a shit what people think. Not only does he not give a shit but he’s actually turned it into an ideology which he’s given the name “Based”. You’ll see the term pop up in the titles of his freestyles, on his twitter (which is terrific if you don’t mind your timeline being totally bombarded) and in his frequent name for himself “The Based God”.

In an interview with Complex magazine he explains:

Complex: What’s your definition of “based,” because you say that with everything. What does that mean? Lil B: Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive. When I was younger, based was a negative term that meant like dopehead, or basehead. People used to make fun of me. They was like, “You’re based.” They’d use it as a negative. And what I did was turn that negative into a positive. I started embracing it like, “Yeah, I’m based.” I made it mine. I embedded it in my head. Based is positive.

Complex: It’s also like a stream-of-consciousness thing when you’re rapping, right? Lil B: Exactly. In Based Freestyles, we don’t think. You just let your unconscious mind speak. You let the truth speak. I’m not pre-thinking what I’m gonna speak. I’m going to speak from what my mind says, and that’s the truth. That’s the truth right there. For those of us who are not Lil B what do we take from all this? For me it’s the power of fearlessness and a concerted pushing of artistic and personal borders. It’s an opportunity to look inward and try to identify where you’re limiting yourself with fears or desire for approval and kick that over. How do you see this working for you? How do you feel you’ve been limiting yourself?

Lil B – Freedom YouTube Preview Image

Creativity: How To Turn Lack Of Time & Resources Into An Asset

Banksy Smiley Face Grim Reaper

“creativity was the ability to bring to life an image or idea regardless of resources”

- Chief Boima, Interviewed by Eddie Stats

Eddie Stats has a great interview with Dutty Artz familia Chief Boima and Vamanos from Ghetto Bassquake over at his blog Ghetto Palms for the Fader (linked below). In it came the above quote which Boima mentions in the context of film theory.

I love this idea and it brings me back to a concept that I try to bash my friends and students over the head with all the time.

Creativity is what happens IN SPITE of things like equipment, time and resources. A lot of people I know cling to the idea that as soon as they get this next plug-in, keyboard, piece of software, money, time or whatever it is that they don’t currently have that they’ll be able to accomplish their creative goals.

I am sorry to report that this is absolutely not the case.

Continue reading

Haters: Learn To Love Them

Haters. Got some? Good! To paraphrase the great and funny Katt Williams: If you don’t have haters, you’re doing it wrong. Having haters means that people are noticing you, engaging with your work and having an emotional response. If that response is to get on the internet and call you a racist or a no-talent, well… First let’s look at some tactics for just processing all that acid that someone just spat at you. Timothy Ferriss, author of The Four Hour Work Week which I reviewed below, wrote a great post about this on his blog. In that, there’s a video, check it out:

He talks about Seneca, bad reviews and crazy people leaving you voice mail. He’s clearly very happy with himself and that can grate a little, HOWEVER, he’s dropping MAD SCIENCE. Absorb it.

The next is an interesting post I found at AudibleHype.com. This one is quite relevant to us as musicians who are on the internet a lot. In the post he interviews many underground hip-hop musicians and talks to them about their approach in dealing with criticism and negative feedback. This is especially interesting because if you know the internet hip-hop scene it is an INCREDIBLY toxic, testosterone soaked, hater packed environment. I personally would rather hang out in that water filled trash compactor room from Star Wars. For whatever reason some of the braggadocio that is in the genes of hip-hop has mutated into an incredibly ugly set of behaviors on the internet that you can see on YouTube comments, various forums, basically any web 2.0 space dealing with hip-hop. This may also be that your average hip-hop listener and internet user is young, male and filled with vague feelings that they are being ‘slept-on’.

He starts with some nice and simple bullet points:

1. This is a business, not a talent show. That’s real simple but 90% of rappers will still complain about their skills getting slept on. There are seven billion human beings on this planet and every single one of us is going to die. Getting over yourself is the best business investment you can make…and it’s not easy.

2. Life is not fair because there are no rules. The main test of character you face in life is what you decide to do after you finally realize that. Is that an opportunity or a tragedy? Your call. Nobody is there to referee the game. You will have triumphs, you will have setbacks, but the game itself is never over.

3. If you really thought you were the shit, you wouldn’t need to prove it. Arrogance is actually not confidence, it’s insecurity.

Check out his article here: Love Thy Hater: How to Learn and Profit from “Bad” Feedback.j

Glass House

photo by the author in Flatbush, Brooklyn

I assume if you’re reading this blog that you’re someone familiar with my musical output. If not, please get familiar here at my soundcloud page.

Generally speaking I am pretty cagey about my new projects until they’re nearly done. I want to try an experiment this time in going through the process of making an album completely in public. Transparency! Throwing stones in a glass house!

I am risking looking foolish or irresolute in the process and it goes against my normal self promotional instincts. Radical honesty! Career suicide! TMI!

One of the things we do as artists is edit our output before it reaches the public. We do this to hide the work that we do that is not as good as we would like and make our fans believe that everything we make is good. A lot of people will also lie about the process afterward in order to appear omnipotent and more talented than they are. The fact is that for all the awesome work that gets made theres a certain amount of secret crappy stuff that is dead on arrival and the world never needs to know about.

Now before you get scared, I do not plan to share that stuff with you. That would be too much for both you and me to take. What I want to do is open a window into the conceptualization process for my new album project and let you follow along here as it evolves.

So, here are my ideas:

The working title:

Build an island, look inward.

1) the whole album will be 128 bpm

2) it will be a continuous mix, released partially as singles throughout the year.

3) it will be finished before May 2011 in order to be released on Dutty Artz by June 2011, a year after my latest album Flowers.

4) the record will be made in such a way that I can do live performance for it with a laptop and controller, something I stopped doing years ago and am interested to try again.

5) there will be a live visual component which will be integrated into the process early and can complement the live show.

These are my goals. I predict 3 out of 5 will be achieved but let’s see how I do. I will do some separate posts talking about my thinking on each point. One upside I see to this already is that having publicly said this it will be much more embarrassing to give up or drag my feet. Cloud computing accountability. Am I making a mistake in putting my creative business out there in the inter-street? What do you think?

PS: you may also be interested to hear that I thumb typed this whole post while sitting in the back seat of my car with my two sleeping babies in Flatbush Brooklyn while waiting for my lady to finish her doctors appointment. We live in the future!
PPS: Glasshouse is an AWESOME science fiction novel by Charles Stross. Get it from Amazon via my Reading List and help me earn some money.