Tagged: business

Facebook Censorship: Who owns your online presence?

Facebook censorship errorAs artists nowadays many of us spend a lot of time updating social sites, building our followerships and driving traffic to them. A few events recently have given me reason to think twice about this practice. The first was when Masalacism, friends of Dutty Artz, had their free blog shut down by Google. The second was this recent article by online marketer Glen Gabe whose stuff I like. In short he was trying to talk about a similar event on Facebook where a guy’s page with 47k fans was shut down due to a trademark dispute. Gabe was trying to post a link to a story talking about it on a blog to Facebook and Facebook blocked him from doing so saying there was a technical error (see image above). Welcome to the world of social media censorship.

One of the main reasons this is possible is that in fact, as much work as we invest in promoting our profiles and their sites at the end of the day legally we don’t own them. They do. And if they decide they don’t like how you’re using their site, they can zap you. The defense against this is not avoiding these sites but instead creating your own piece of space on the web that you actually own. In my case, you’re looking at it. I use my social sites, mainly Facebook and Twitter to drive traffic back here and if I lose both those profiles this is still a place for people to come find me that I actually own.

I setup this site for about $6.00 US a month in hosting costs and am enjoying running it. Its running the free blog hosting software WordPress which I like because it’s designed to be easy to update often. If you’re interested in doing the same I wrote a how-to post here that has step by step instructions.

Has anything like this happened to you? Have you had a profile deleted? What was your response?

How To Make Money In The Post Recording-Business Environment

Record executive stereotype.

Redmonk, a person I’ve been acquainted with through the music scene for a while made a comment on my post ‘I’m Doing It For The Scene Maaaan’ which was relevant to the thesis he’s working on. He posted a few thoughts and links in the comments to that post and rather than type out my reaction as a super long comment that people might not see I decided to do a post about it.

Generally the thoughts are all circling around how artists will make money after the business of selling recorded music, what I call the recording business, finally dies. I use the term recording business rather than music business because there are plenty of businesses about or around music which are making lots of money including gear manufacturers, educational institutions, makers of music listening devices etc. The biggest casualties I see in all this are the labels and at some level the artists. Redmonk is italicized below, my thoughts are interspersed.

Hey Matt, you might have seen this:

http://labs.timesonline.co.uk/blog/2009/11/12/do-music-artists-do-better-in-a-world-with-illegal-file-sharing/

Predicts that artists will supposedly soon be making more from gigs than selling physical copies of their music.

There are more and more theorists (including Gerd Loenhard – http://www.mediafuturist.com/) essentially arguing that we should be heard first, build an audience and then once the trust is there, they’ll pay to see our gigs, buy our merch etc. So give the music away for free (cos if people want to, they’ll get it for free somehow) and make money through other streams.

Firstly I don’t think giving all your music away for free is a valid model for first time artists. It creates the perception that that music has no value and makes it look like un-filtered amateur spew (which it often is) and makes people not think of it as professional. People still place great respect in the idea of ‘getting signed’ or ‘having a record deal’ even if it is just to some bedroom label putting out 12″s or digital singles. There is still an important role for the record label to play as a creative force, and it’s important to know that MOST labels are run by enthusiasts who are contributing to the dialogue about style and sound (like for example my label with Rupture Dutty Artz) by picking cool emerging artists and giving them a platform and helping to filter their output, not by guys in pin-striped suits sniffing coke in some big office trying to make money. Using ‘the record industry’ as a blanket term for some kind of exploitative boogie man is stupid.

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The 4 Hour Workweek (A Short Review)

I’ve just finished reading a non-fiction book called The Four Hour Workweek by Tim Ferriss. In it he outlines a methodology which he calls Lifestyle Design. He advocates a radical re-structuring of your life in which you outsource your job, start a business which generates automated income and go travel the world. Obviously this may not be for everyone but there are a many components to it and as you read it certainly one or the other will jump out at you as relevant to your life and goals.

A concept which he outlined which I found very helpful was Wilfredo Pareto’s 80/20 rule. The 80/20 rule is the idea that very often 80% of the desired outcomes in a situation come from 20% of the input. In his case he’s applying to personal productivity and business so for example 80% of your business comes from 20% of your customers. I’ve found this in for example promoting records. There are a few journalists who will always talk about a record I send them and then there are a million others who will do so very infrequently or never. But still every time I go to do a promo mailing I dash off those few high return emails and then spend a bunch of time trying to chase down all the people who almost never cover the stuff I send. This makes the process take way longer than it could. What he advises from this is that you should focus on and maximize that 20% that performs and de-emphasize the rest.

Another concept which I liked from him is that difficult goals make more sense to aim for. There are a few reasons for this. While many of us will think of a difficult goal and then imagine the millions of people we believe are also competing for it. We then imagine that many of them are more prepared than us and think: why bother trying? What he points out is that almost everyone feels this way and that most people quit the competition before it begins. Therefore there is smaller competition for impossible or difficult goals, making them easier to achieve than we think. Additionally the energy we get from reaching for and getting closer to big goals is so much more than from a moderate goal that it keeps us motivated and focused. I find this to be true. I have a hard time getting excited about small or moderate goals whereas if I am aiming for something big I get more enthusiastic.

He spends some time talking about geo-arbitrage, the practice of living in places where it’s cheap and earning in higher income areas. Having done this as a DJ living in Berlin I know this works and it’s good advice. If you can detach your income from where you live there is a lot of potential. Making money from the internet is even better since then you can really disconnect these two. He did this in Berlin in Prenzlauer-Berg, a neighborhood I also lived in at one point, and in Buenos Aires, Argentina.

The last piece I liked is his idea of streamlining your work time. One of the big things he talks about is eliminating interruption in your work sessions. I am very susceptible to this so this was great for me. In order to give yourself focused blocks of time in which to concentrate he suggests cutting your email use back to twice a day and further if you can manage it. Instead of constantly checking email he suggest checking it twice, once after lunch around 12PM and once around 4PM as people are wrapping up their workdays. That way you can avoid that compulsive email checking that many of us do and therefore minimize the constant interruptions every time something comes in asking for your attention. You check your email and just power through, responding to everything that has accumulated.

There are a great many further points in here which are worth talking about but since this is a blog post and not a book itself I will leave it at that. Ferriss also runs a great blog over at fourhourblog.com where he continues the discussion about many of these ideas.

The biggest idea I enjoyed from the book was the idea that reality is negotiable and we don’t all need to lead our lives the same way. What do you think?

If you’d like to get a copy of Four Hour Work Week and would like to support this blog you can get it by buying it through my Amazon store here.