Category: music

music

Blak Ryno – Nuh Tek Talk (Matt Shadetek Dutty House Rmx)

Blak Ryno – Nuh Tek Talk (Matt Shadetek Dutty House Rmx) by mattshadetek

My new EP entitled ‘DUTTY HOUSE’ will be out as an early exclusive Dec. 7th on Juno and everywhere Dec. 14th on Dutty Artz. In advance of it I’m giving away this remix I did of Blak Ryno’s ‘Nuh Tek Talk’. The original is on Chimney Records’ Death Row Riddim. Blak Ryno is an exciting new Dancehall artist who came up as part of Vybz Kartel’s Portmore Empire / Gaza movement. He uses a lot of interesting eastern sounding melodies in his singing which sets him apart from the new crop of Dancehall artists coming out to my ears. The original was 120bpm which is a little slower than I’ve been playing lately so I decided to speed it up to 128bpm and add some grimey house beats. I didn’t have an acapella so I actually just took the whole tune and EQd out the bass, adding my own drum and bass parts making it more like a mashup than a true remix. I’ve been playing it for a bit and thought it’d be appropriate to share it in advance of my new EP dropping on Dutty Artz. It’s my first time in a while busting out my distorted kicks and badman lyrics vibe in a while, so fans of Brooklyn Anthem may be pleased.
Matt Shadetek Dutty House EP Cover Art Work

Dutty House Cover Art, designed by me

Blak Ryno Artist page:
http://www.myspace.com/rynodgreat

Chimney Records Label Page:
http://www.facebook.com/pages/Chimney-Records/

New York Tropical Compilation & New Track: This is Love

New track by me out now on the New York Tropical compilation on Dutty Artz entitled ‘This is Love’, up on my Soundcloud for your listening pleasure. It’s me stretching out into a longer format which I don’t often do including time changes, chord changes and more song writing stuff that I’m trying to challenge myself to do more in my tracks. Listen and let me know what you think and if you enjoy what we do at Dutty Artz, support us by clicking some of your dollars through to us in exchange for the files.

This is Love by mattshadetek

INFO FROM DUTTY ARTZ:

After almost a year of work, New York Tropical is finally hitting digital shops today, and we couldn’t be more excited about it. 12 dope tracks, almost all unreleased, and styles from Funky to Cumbia with a little bit of ambient/Rupture in between for the subway ride home. If you didn’t already pick up the ringtone (.mp3 and iphone compatible) edit of the album- grab it- I highly recommend DJ Orion’s Undertow Inst for early morning wake ups. Expect a few tracks to start leaking out into the internet and a new mix from me next week.

Until then, grab a copy

itunes, boomkat, amazon, turntable lab, etc

1. Knight Magic – El Baile de la Cumbia
2. Rita Indiana – Los Poderes (Kingdom remix)
3. Matt Shadetek & Lamin Fofana – Sunshine City
4. La Ola Criminal – Sin Gas
5. Maga Bo – Analys D’Amour (instrumental)
6. DJ /rupture & Matt Shadetek – Sunset B35
7. DJ Orion – The Undertow (instrumental)
8. KG – I’m Feeling Funky
9. Nguzunguzu – El Bebe Ambiente (new mix + master)
10. DJ /rupture, Matt Shadetek, & Chief Boima – Elegy for Mr Peach (Rupture mix)
11. Lido Pimienta – La Minga (Sonora remix)
12. Matt Shadetek – This Is Love

P.S. You can receive info like this and other exciting DA news irregularly in your inbox by signing up for the DA mailer on the upper right of your screen. Check the rest of the news from this months mailer here.

Detroit 1990

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Surkit – Reel by Real

I love this tune. I originally became acquainted with this because of LTJ Bukem’s giant sample of it in his jungle tune Atlantis. Which is also great. We’re having a little Friday evening 90s dance music throwdown at the dubspot office and I pulled it out, figured I would share it with you guys. The little intro synth riff on this is one of my favorite of all time

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LTJ Bukem – Atlantis

Games, Fallow Periods, Spirals

Between a head cold rampaging through my family and a whole lot of other real life stuff I’ve been feeling pretty uninspired to create music lately. After some early experiments with trying to make a track every day one summer in college I’ve learned that trying to squeeze the sponge when I’m not feeling it will only result in frustration and not-fun-ness. There’s a fine line between the discipline of showing up and making stuff and forcing yourself to make stuff when you’re not feeling it. Usually during these musically slow periods I tend to turn my attention to other stuff and try to teach myself new things. Lately it’s been learning marketing and studying the art of making computer games. I think the whole computer game / interactive art space is under-served by a lot of the aesethetically crappy stuff that gets done with some pretty cool technology. I see a lot of artistic potential there that remains untapped.

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Listen to Photek – The Third Sequence

One game that made a big impact on me was the original WipeOut for Playstation. Not only was it a great and fun game but they took a few extra steps aesthetically in licensing a great soundtrack of known dance music artists, including the Photek track above, which I still love, and also hiring top-notch design firm The Designer’s Republic to design all the menus, iconography and in game advertisements. Admittedly the stuff looks a bit dated now but in 1995 this was some futuristic shit. TDR was also the in-house designer for Warp records who I later became a huge fan of and even later was proud to release a record with (Burnerism by Team Shadetek).

Wipeout Icons by The Designer's Republic


Logos for imaginary corporations featured in the game designed by The Designer’s Republic

The revelation at the time for me was that it was possible to combine interesting visual and sound aesthetics with a cool game experience. I’ve been thinking about this stuff a lot lately. I’ve been researching the game technology that’s out there that could enable you to do interesting stuff with sound. There are a few interesting things, including unity3d which I’ve been studying a bit. It includes supprt for .MOD files, the tracker format which is pretty interesting. I used to spend a lot of time thinking about generative sound and music and taught myself Max/MSP to do it, which I haven’t used in a while but the idea of creating generative musical environments is something which still appeals to me a lot. I find myself circling through these areas in my life: music, film making, programming, games, stories and each time I return to an area and learn more I see new possibilities. This has lead me to think that rather than purely making circles from one topic to another that I’m spiraling in on some big project that will eventually use all these ideas and skills that I’ve been learning. I’ll let you know how that goes.

How about you? I know the readership of the blog is mostly music people. Anyone else interested in games or interactive sound art?

Fuck Approval: Artistic Freedom and Getting #Based

Lil B is the Andy Warhol of rap.

Creative freedom is regarded as something that all creators want and see as valuable. The question is freedom from what? Generally the forces that seek to control and limit our creativity are thought to be external. But what about ourselves? What role do we play in creating or accepting boxes, limitations, norms, rules, guidelines which fence in our creativity? I recently listened to an episode of the Accidental Creative podcast in which he talked about the concept of separating our personal feelings of self-worth from the way people react to our creations. The major theme of that lesson was that you are not your work and therefore shouldn’t behave that way emotionally. For me personally this was a powerful idea.

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So much of my feeling of self-worth is tied up in the things that I create. These could be pieces of music, ideas, companies, or groups of people. If I feel that I played a significant role in creating something then a great deal of my self-worth is tied up in the success of or the perception of that thing. As much as I try not to feel this way, if someone gives a negative review to a piece of my music for example, I feel personally attacked and it can have a real effect on my mood for the rest of the day or longer. This is not good both for the fact that you are exposing yourself to negative emotions from external forces that you can’t control but perhaps more importantly because the fear of being judged becomes internalized and you begin to set up internal boundaries for yourself. You try to begin to seek out ideas which are safer and more likely to earn more praise and less criticism. When we find ourselves backed into this corner, it’s a major loss for our potential as an artist. I feel that one of the strongest creative actions we can take is to dive fearlessly off a cliff into new territory without trying to fit into a box or seek an existing audience’s approval.

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Someone who I have a tremendous amount of respect for in this regard is Lil B the Berkley based rapper who’s also a member of The Pack. To the un-initiated one might listen to a song like ‘Look Like Jesus’ and hear Lil B rapping that ‘Hoes suck my dick because I dress like Jesus Christ’ and dismiss him as just another rapper. What makes him interesting is his willingness to go to ludicrous extremes, turn the hyper-masculine braggadocio of hip-hop on it’s head by rapping about how he ‘looks like a princess’ and he’s a ‘pretty bitch’ and fearlessly saying absolutely anything that pops into his stream of consciousness. Those who follow rap know that as in any art-form rappers are constantly dancing along a line of accepted rapper behavior and making short forays into as yet un-touched subject matter, attitudes and visual and musical styles. The history of stylistic change in hip-hop is incremental with few artists making bold leaps into new territory. What I see in Lil B is an artist relentlessly transgressing boundaries and pushing his art and persona as absolutely far as he can go.

With songs like “I’m God” and “I’m a Faggot” he seems to be constantly searching for ways to provoke his audience which is completely de-sensitized by tales of violence, sex, crime and drug-use in rap. What I respect about this is that here we have an artist in a genre of people proclaiming how fearless they are while relentlessly conforming. Lil B seems to truly not give a shit what people think. Not only does he not give a shit but he’s actually turned it into an ideology which he’s given the name “Based”. You’ll see the term pop up in the titles of his freestyles, on his twitter (which is terrific if you don’t mind your timeline being totally bombarded) and in his frequent name for himself “The Based God”.

In an interview with Complex magazine he explains:

Complex: What’s your definition of “based,” because you say that with everything. What does that mean? Lil B: Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive. When I was younger, based was a negative term that meant like dopehead, or basehead. People used to make fun of me. They was like, “You’re based.” They’d use it as a negative. And what I did was turn that negative into a positive. I started embracing it like, “Yeah, I’m based.” I made it mine. I embedded it in my head. Based is positive.

Complex: It’s also like a stream-of-consciousness thing when you’re rapping, right? Lil B: Exactly. In Based Freestyles, we don’t think. You just let your unconscious mind speak. You let the truth speak. I’m not pre-thinking what I’m gonna speak. I’m going to speak from what my mind says, and that’s the truth. That’s the truth right there. For those of us who are not Lil B what do we take from all this? For me it’s the power of fearlessness and a concerted pushing of artistic and personal borders. It’s an opportunity to look inward and try to identify where you’re limiting yourself with fears or desire for approval and kick that over. How do you see this working for you? How do you feel you’ve been limiting yourself?

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Funny Cats

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Check out a little viral video I just made for the song Funny Cats off my album Flowers. It’s got a bunch of LOLcats images and funny cat videos from YouTube cut to my song.

There were two inspirations for this video. 1) I actually like these stupid cat videos on the internet and feel like the effervescent silliness of them fits the song well 2) they get 40 Million hits on YouTube. So the idea here is to see if combining my song with this kind of viral content can make it get more hits and more importantly reach people who aren’t blog-reading, social-networking music nerds but instead regular people who watch funny cat videos on YouTube. I’ll let you know how it works.

Click here to buy the album on iTunes

iPad Music: Soundprism

Originally posted at the Dubspot Blog.

I saw this recently over at Peter Kirn’s Create Digital Music blog. I just watched the video below and read the interview Peter did (link below) and I was very inspired by what I saw of Soundprism. I would definitely like to give it a try once it get’s through Apple’s strange and opaque app store approval process. It’s been submitted already and hopefully will be approved soon. Basically it’s a way to visually organize tones that’s not a keyboard, set up based on the circle of thirds making it intuitive and easy for you to play musical patterns that sound ‘correct’ on the iPad’s touch screen. Check out the demo (4:39):

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Adding a MIDI or OSC output to this is an obvious next step which would make it terrifically useful. They say that they’re working on MIDI out but with no promised date. In the meantime it might be fun to record this, sample the audio and mangle or process it. I could definitely see using it to create some interesting melodic and harmonic raw material to work with. As a no-keyboard-skills-having musician I am always excited by ways to compose new original stuff that don’t relying on intense keyboard skills.

In this quote from Peter’s interview with Sebastian Dittman of Audanika, the company who make the software, Dittman says this:

The reason we are able to actually use these concepts now is that we finally have interfaces that can change visually and aren’t static. I see SoundPrism as knowledge poured into a dynamic interface that enables users to just use that knowledge without having to acquire it first.

I love this idea and I think that the touch-screen as a visual, dynamic, fluid interface is actually a lot more revolutionary than we’ve all completely figured out yet. Just the possibilities opened up by something like TouchOSC and being able to create your own controller layouts was incredibly inspiring to me and lead me to get an iPad. I think as we see brilliant people like those at Audanika starting to approach these interfaces we will see some very interesting things start to come out of it. I’m excited.

Read the full interview with Audanika’s Sebastian Dittman by Peter Kirn over at Create Digital Music.

Update: it’s out on the iTunes store.

Matt Shadetek on DJ /Rupture’s Mudd Up

[originally posted at Mudd Up! by DJ /Rupture, that's not me referring to myself in the third person. Matt Shadetek doesn't do that, usually]

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On today’s radio show, I’ll be joined by special guest Matt Shadetek! The top-notch producer (& my partner in all tings Dutty) just released his debut solo album, Flowers, and he’ll be treating us to a live DJ set followed by talk about production, new bizness strategies for creative folk, family man music, and more.

Check us live: Monday Aug 16th from 7-8pm EST, 91.1fm WFMU, streaming on internet & iPhone. If asynchronous event participation is yr thing, delve into my show’s deep archives or catch the podcast a week later…

In the meantime, here’s ‘Nightshade’ – I first used this in last year’s mix album, Solar Life Raft, and it resurfaced on Flowers – Matt’s instrumental album built from fresh beat momentum and a playful post-grime melodic sensitivity.

[audio:http://nyc.duttyartz.com/mp3s/MattShadetek-Nightshade(DUTTYARTZ.COM).mp3]

Matt Shadetek – Nightshade

EDIT: Here’s the link to listen back to the show, with tracklist and many different ways to access it courtesy of the awesome WFMU site. I played some new stuff of my new Build An Island, Look Inward album including the first track in the mix which is called ‘This Is Love’ give me some feedback! Also there’s an interview at the end with me talking with Rupture about music, and stuff.

Video: Los Rakas – Abrazame feat. Faviola (Uproot Andy Hold Yuh Remix)

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Very cool new video for Los Rakas directed by Aris Jerome. Nice photography, many pretty young women and a cool portrait of San Francisco in 2010 through Los Rakas eyes. The riddim is a remix of Ricky Blaze’s hit Hold Yuh riddim for Gyptian by Dutty Artz own Uproot Andy. Big big tune. Download the song over at the Dutty Artz blog.

Ruff Sqwad – Havana aka XTC Riddim

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I love this tune. This is an old grime instrumental by Ruff Sqwad sometimes called ‘Havana’ and sometimes ‘XTC Riddim’. I tell people that my album Flowers was strongly influenced by grime and a lot of people give me the ‘huh?’ face. This is the kind of grime I’m talking about. Beautiful plastic melodies and little droplets of bass. Ruff Sqwad, Wiley and sometimes Jammer really drove this sound for me. Not sure where you can find this besides file sharing sites, white label twelve inches and of course, the jukebox of the world, YouTube.