Category: internets

Fuck Approval: Artistic Freedom and Getting #Based

Lil B is the Andy Warhol of rap.

Creative freedom is regarded as something that all creators want and see as valuable. The question is freedom from what? Generally the forces that seek to control and limit our creativity are thought to be external. But what about ourselves? What role do we play in creating or accepting boxes, limitations, norms, rules, guidelines which fence in our creativity? I recently listened to an episode of the Accidental Creative podcast in which he talked about the concept of separating our personal feelings of self-worth from the way people react to our creations. The major theme of that lesson was that you are not your work and therefore shouldn’t behave that way emotionally. For me personally this was a powerful idea.

Lil B – I’m God YouTube Preview Image

So much of my feeling of self-worth is tied up in the things that I create. These could be pieces of music, ideas, companies, or groups of people. If I feel that I played a significant role in creating something then a great deal of my self-worth is tied up in the success of or the perception of that thing. As much as I try not to feel this way, if someone gives a negative review to a piece of my music for example, I feel personally attacked and it can have a real effect on my mood for the rest of the day or longer. This is not good both for the fact that you are exposing yourself to negative emotions from external forces that you can’t control but perhaps more importantly because the fear of being judged becomes internalized and you begin to set up internal boundaries for yourself. You try to begin to seek out ideas which are safer and more likely to earn more praise and less criticism. When we find ourselves backed into this corner, it’s a major loss for our potential as an artist. I feel that one of the strongest creative actions we can take is to dive fearlessly off a cliff into new territory without trying to fit into a box or seek an existing audience’s approval.

Lil B – Look Like Jesus YouTube Preview Image

Someone who I have a tremendous amount of respect for in this regard is Lil B the Berkley based rapper who’s also a member of The Pack. To the un-initiated one might listen to a song like ‘Look Like Jesus’ and hear Lil B rapping that ‘Hoes suck my dick because I dress like Jesus Christ’ and dismiss him as just another rapper. What makes him interesting is his willingness to go to ludicrous extremes, turn the hyper-masculine braggadocio of hip-hop on it’s head by rapping about how he ‘looks like a princess’ and he’s a ‘pretty bitch’ and fearlessly saying absolutely anything that pops into his stream of consciousness. Those who follow rap know that as in any art-form rappers are constantly dancing along a line of accepted rapper behavior and making short forays into as yet un-touched subject matter, attitudes and visual and musical styles. The history of stylistic change in hip-hop is incremental with few artists making bold leaps into new territory. What I see in Lil B is an artist relentlessly transgressing boundaries and pushing his art and persona as absolutely far as he can go.

With songs like “I’m God” and “I’m a Faggot” he seems to be constantly searching for ways to provoke his audience which is completely de-sensitized by tales of violence, sex, crime and drug-use in rap. What I respect about this is that here we have an artist in a genre of people proclaiming how fearless they are while relentlessly conforming. Lil B seems to truly not give a shit what people think. Not only does he not give a shit but he’s actually turned it into an ideology which he’s given the name “Based”. You’ll see the term pop up in the titles of his freestyles, on his twitter (which is terrific if you don’t mind your timeline being totally bombarded) and in his frequent name for himself “The Based God”.

In an interview with Complex magazine he explains:

Complex: What’s your definition of “based,” because you say that with everything. What does that mean? Lil B: Based means being yourself. Not being scared of what people think about you. Not being afraid to do what you wanna do. Being positive. When I was younger, based was a negative term that meant like dopehead, or basehead. People used to make fun of me. They was like, “You’re based.” They’d use it as a negative. And what I did was turn that negative into a positive. I started embracing it like, “Yeah, I’m based.” I made it mine. I embedded it in my head. Based is positive.

Complex: It’s also like a stream-of-consciousness thing when you’re rapping, right? Lil B: Exactly. In Based Freestyles, we don’t think. You just let your unconscious mind speak. You let the truth speak. I’m not pre-thinking what I’m gonna speak. I’m going to speak from what my mind says, and that’s the truth. That’s the truth right there. For those of us who are not Lil B what do we take from all this? For me it’s the power of fearlessness and a concerted pushing of artistic and personal borders. It’s an opportunity to look inward and try to identify where you’re limiting yourself with fears or desire for approval and kick that over. How do you see this working for you? How do you feel you’ve been limiting yourself?

Lil B – Freedom YouTube Preview Image

When Pirates Attack: The Entertainment Industry vs. The Internet

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Just read an interesting thread about how a group of anonymous pro-piracy activists have gotten fed up with the RIAA, MPAA and other anti-piracy organizations launching denial of service attacks on sites like The Pirate Bay. Apparently a company called Aiplex was hired by the MPAA to launch a denial of service attack against The Pirate Bay. A denial of service attack is when one hammers a service with automated requests in order to crash or disrupt their operations. It’s as if someone set up a computer to call your phone a million times so that you couldn’t make or receive calls. In this case these were distributed denial of service attacks meaning they involved many voluntary users running a program call LOIC to participate in the attacks. Sort of like a flash mob for cyber aggression.

This is interesting in and of itself since it’s one of the first times I’ve heard of denial of service attacks being used as a form of protest. What’s also interesting about this to me is the rhetoric you read around it about ‘corrupt labels and studios’ and attacking Sony and Warner brothers. As if the participants see themselves as some kind of revolutionary movement rather than a bunch of people who just want to consume other peoples creative work without paying for it. What’s interesting is not that people want to steal stuff, I get that, but the interesting part is that they feel so self-righteous about it. As if it’s a moral imperative.

Here’s a quote from a comment thread discussion at TorrentFreak.com

“It is still aiming at the decoys or mirror images of the real targets. The real targets are the media companies like Disney, Sony and so on.

However if for whatever reason someone wants to stay with secondary targets then lawfirms are extremely vulnarable. Especially for IP lawyers taking out their E-mail system for a few weeks will damage their business (Not to mention to explain potential new clients why they are attacked by random people).”

As someone who understands the piratical impulse but is also on the other side of the line as an independent label owner I would love to hear from this community and hear what their advice is for someone like me. I am not a corrupt label owner but I am hurt by piracy as is the whole independent business. Sales are way down across the board and still falling. It means that for me and my friends running a label we really can’t afford to put ANY money into a release. Even recouping very affordable mastering costs is a risk. Not to mention huge costs like paying for PR to promote a record.

So my question is: if the pirate community is going to start to act like a movement what is your suggestion for small outfits like mine to be able to release the music or films you enjoy consuming for free? I’m not being sarcastic. The thing that I find weird about this is a lot of the rhetoric that suggests that people are seeing piracy as a movement or even an ideology. Clearly there are some very bright and technically savvy people in this community. How do you think content producers should be made able to be paid for our work if you won’t buy it? Technical, social or political solutions are welcome.

Funny Cats

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Check out a little viral video I just made for the song Funny Cats off my album Flowers. It’s got a bunch of LOLcats images and funny cat videos from YouTube cut to my song.

There were two inspirations for this video. 1) I actually like these stupid cat videos on the internet and feel like the effervescent silliness of them fits the song well 2) they get 40 Million hits on YouTube. So the idea here is to see if combining my song with this kind of viral content can make it get more hits and more importantly reach people who aren’t blog-reading, social-networking music nerds but instead regular people who watch funny cat videos on YouTube. I’ll let you know how it works.

Click here to buy the album on iTunes

Facebook Censorship: Who owns your online presence?

Facebook censorship errorAs artists nowadays many of us spend a lot of time updating social sites, building our followerships and driving traffic to them. A few events recently have given me reason to think twice about this practice. The first was when Masalacism, friends of Dutty Artz, had their free blog shut down by Google. The second was this recent article by online marketer Glen Gabe whose stuff I like. In short he was trying to talk about a similar event on Facebook where a guy’s page with 47k fans was shut down due to a trademark dispute. Gabe was trying to post a link to a story talking about it on a blog to Facebook and Facebook blocked him from doing so saying there was a technical error (see image above). Welcome to the world of social media censorship.

One of the main reasons this is possible is that in fact, as much work as we invest in promoting our profiles and their sites at the end of the day legally we don’t own them. They do. And if they decide they don’t like how you’re using their site, they can zap you. The defense against this is not avoiding these sites but instead creating your own piece of space on the web that you actually own. In my case, you’re looking at it. I use my social sites, mainly Facebook and Twitter to drive traffic back here and if I lose both those profiles this is still a place for people to come find me that I actually own.

I setup this site for about $6.00 US a month in hosting costs and am enjoying running it. Its running the free blog hosting software WordPress which I like because it’s designed to be easy to update often. If you’re interested in doing the same I wrote a how-to post here that has step by step instructions.

Has anything like this happened to you? Have you had a profile deleted? What was your response?

Justin Bieber Slowed Down 800%

J. BIEBZ – U SMILE 800% SLOWER by Shamantis

Some guy on Soundcloud called Shamantis took Justin Bieber and slowed him down %800. And it sounds great! Apparently taking strange pubescent elvis-ian boy pop divas and slowing them down produces glacially beautiful digital sludge. Who needs drugs?

He was gracious enough to put up a tutorial on how he did it too, which is a nice gesture. Expect to hear a lot more of these.

Now as great as this may be it cannot compete, in my mind with the original slowed down codeinated epics of people like DJ Screw, Michael Watts and the whole Houston screwed and chopped movement. Stuff like this:

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Learn more about DJ Screw in this short YouTube documentary:

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Dropbox is Cool

\"\"Dropbox is cool.  I just started using it and I like it.  It\’s way cooler than a lot of the dumb file hosting services out there as a way to send links to people and it has the added bonus of allowing you to synch up multiple computers, including your phone.  I\’ve been getting promos from other labels and artists via it and the experience is very pleasant and easy.

You make an account, download their software and create a folder, which appears on your computer and looks like a regular folder.  You add stuff to it, and then if you synch up that to other computers you can access the files as if they\’re on the same computer or a local network.  You get 2GB of storage to start for free and can go up to 8GB if you refer your friends, best of all it\’s FREE.  Here\’s a link to sign up, get a free account and give me some extra gigabytes.

Haters: Learn To Love Them

Haters. Got some? Good! To paraphrase the great and funny Katt Williams: If you don’t have haters, you’re doing it wrong. Having haters means that people are noticing you, engaging with your work and having an emotional response. If that response is to get on the internet and call you a racist or a no-talent, well… First let’s look at some tactics for just processing all that acid that someone just spat at you. Timothy Ferriss, author of The Four Hour Work Week which I reviewed below, wrote a great post about this on his blog. In that, there’s a video, check it out:

He talks about Seneca, bad reviews and crazy people leaving you voice mail. He’s clearly very happy with himself and that can grate a little, HOWEVER, he’s dropping MAD SCIENCE. Absorb it.

The next is an interesting post I found at AudibleHype.com. This one is quite relevant to us as musicians who are on the internet a lot. In the post he interviews many underground hip-hop musicians and talks to them about their approach in dealing with criticism and negative feedback. This is especially interesting because if you know the internet hip-hop scene it is an INCREDIBLY toxic, testosterone soaked, hater packed environment. I personally would rather hang out in that water filled trash compactor room from Star Wars. For whatever reason some of the braggadocio that is in the genes of hip-hop has mutated into an incredibly ugly set of behaviors on the internet that you can see on YouTube comments, various forums, basically any web 2.0 space dealing with hip-hop. This may also be that your average hip-hop listener and internet user is young, male and filled with vague feelings that they are being ‘slept-on’.

He starts with some nice and simple bullet points:

1. This is a business, not a talent show. That’s real simple but 90% of rappers will still complain about their skills getting slept on. There are seven billion human beings on this planet and every single one of us is going to die. Getting over yourself is the best business investment you can make…and it’s not easy.

2. Life is not fair because there are no rules. The main test of character you face in life is what you decide to do after you finally realize that. Is that an opportunity or a tragedy? Your call. Nobody is there to referee the game. You will have triumphs, you will have setbacks, but the game itself is never over.

3. If you really thought you were the shit, you wouldn’t need to prove it. Arrogance is actually not confidence, it’s insecurity.

Check out his article here: Love Thy Hater: How to Learn and Profit from “Bad” Feedback.j

How To Start Your Own Blog

I have been on a blogging buzz lately and am really enjoying it, but up until now I had never actually hosted my own site. Previously I was using a friend’s hosting account and had never actually set one of these up. When I set out to launch mattshadetek.com I learned how easy it actually is. I am not a super programmer web-developer guy and I was able to get this site up in about half an hour. The platform I’m using is WordPress, which is a super popular and awesome, easy to use blogging platform. In a nutshell, these are the steps:

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